|
Post by nenya on May 29, 2017 17:23:48 GMT
Vox Lux would be too risky, A House? i don't know, i don't want Rooney's movie to be brutaly judge there, or Garth for that matter, maybe Gus Van Sant would be up for it, but it's not really Rooney's movie , she should work on something new and make a sursprise for us, if not in 2018 than in 2019 :D Vox Lux actually would be perfect for Cannes. The reason I didn't mention it was because we don't know what the status is on the film. i agree, but risky because of competition with Carax it would be challenge! but you're right, we don't know anything about VoxLux yet
|
|
|
Post by RedSparrow on May 29, 2017 17:32:04 GMT
Vox Lux actually would be perfect for Cannes. The reason I didn't mention it was because we don't know what the status is on the film. i agree, but risky because of competition with Carax it would be challenge! but you're right, we don't know anything about VoxLux yet Yea, but are we sure Vox Lux is a musical? Did any legit source ever mention that it was going to be a musical? The feel I got was that it is going to be straight up drama with musical elements. Her singing (and hopefully dancing ) Not the perfect example but from the top of my head, just to give you an idea: Coal Miner's Daughter, except a hell lot less country . Only in terms of how much of it is drama than an actual musical (which it really wasn't) I don't think Rooney will be popping in and out of songs like most musicals. Annette was going to be that.
|
|
|
Post by nenya on May 29, 2017 17:41:41 GMT
i agree, but risky because of competition with Carax it would be challenge! but you're right, we don't know anything about VoxLux yet Yea, but are we sure Vox Lux is a musical? Did any legit source ever mention that it was going to be a musical? The feel I got was that it is going to be straight up drama with musical elements. Her singing (and hopefully dancing ) Not the perfect example but from the top of my head, just to give you an idea: Coal Miner's Daughter, expect a hell lot less country . Only in terms of how much of it is drama than an actual musical (which it really wasn't) I don't think Rooney will be popping in and out of songs like most musicals. Annette was going to be that. whatever it will be (dramatic thriller was the last news, right?), i think imidet comparisons are unavailable anyway, Roons was attached to Annette so on that level these two will be discussed together, dancing and singing Rooney might be the end of me though :casey1:
|
|
|
Post by nenya on May 30, 2017 17:21:40 GMT
Robert Pattinson and ‘The Florida Project’ Top Critics Survey of Best at Cannes 2017 Over 30 critics voted on their favorite films and performances from this year's lineup. The results were noticeably different from the prizes handed out by this year's jury.Best Film1. ”The Florida Project” 2. ”BPM (Beats Per Minute),” ”You Were Never Really Here,” ”The Rider,” ”Loveless” (tie) 3. ”The Killing of a Sacred Deer” 4. ”Top of the Lake: China Girl,” ”Happy End,” ”Radiance,” ”Double Lover,” ”In the Fade” (tie) 5. ”A Gentle Creature” Single votes: “Faces Places,” “Let the Sunshine In,” “Western,” “Lover for a Day” Best Director1. Lynne Ramsay, “You Were Never Really Here” 2. Sofia Coppola, “The Beguiled” 3. Joshua and Ben Safdie, “Good Time,” Andrey Zyvagintsev, “Loveless,” Ruben Ostlund, “The Square” (tie) 4. Sergei Loznitsa, “Gentle Creature” 5. Robin Campillo, “BPM (Beats Per Minute),” Hong Sang-soo, “The Day After,” Michel Hazanavicius, “Redoubtable,” Todd Haynes, “Wonderstruck,” Yorgos Lanthimos, “The Killing of a Sacred Deer” (tie) Single votes: “I Am Not a Witch,” Claire Denis, Valeska Grisebach, Phillipe Garrel, Sean Baker Best Performance1. Robert Pattinson, “Good Time,” 2. “Colin Farrell, “The Killing of a Sacred Deer,” Nicole Kidman, “The Beguiled,” Maryana Spivak, “Loveless” (tie) 3. Fanzine Harduin, “Happy End,” Terry Notary, “The Square,” Tilda Swinton, “Okja” Single votes: Claes Bang, “The Square,” Diane Kruger, “In the Fade,” Nahuel Perez Biscayart, “BPM (Beats Per Minute),” Joaquin Phoenix, “You Were Never Really Here,” Gerard Depardieu, “Let the Sunshine In” Best Screenplay1. “Top of the Lake: China Girl,” “The Killing of a Sacred Deer,” “Redoubtable” (tie) 2. “In the Fade,” “The Meyerowitz Stories (New and Selected),” “Happy End,” “Good Time,” “The Beguiled” (tie) Singe votes: “Let the Sunshine In”
|
|
|
Post by LaraQ on May 30, 2017 20:58:49 GMT
The Florida Project!! I'm so happy A24 picked it up. Could be this years Moonlight.The reviews were fantastic. :)
|
|
|
Post by Charles on May 31, 2017 17:23:02 GMT
I didn't find that this link about Sophia's win has been posted so: linkBut highlight of the article is this: No comment, as no comment required. This may have helped get the well deserved (about time) recognition for Sophia and Lynne. Isabelle speaks France listens! Charles
|
|
|
Post by nenya on Jun 2, 2017 18:50:35 GMT
|
|
|
Post by sethan on Jul 15, 2017 0:14:59 GMT
Anyone has the Best Screenplay part of the ceremony in video? Link? Thanks in advance
|
|
|
Post by Charles on Jul 15, 2017 13:04:36 GMT
Anyone has the Best Screenplay part of the ceremony in video? Link? Thanks in advance sethan the screenplay portion is in the bigger link that nenya posted, it begins at 24:03. Charles
|
|