I saw Nightmare Alley twice at the movies. The first time alone and the second time with an impartial friend (who love it) I delayed writing about it because I wanted to think a little more about it and so that more people have seen it. I like reviews made to be read by whoever saw the movie :)
The first thing I have to say is that watching a Rooney movie after so long is my Marvel event or something, so even if the movie sucks I'd be ridiculously happy to see it. So it was a fun experience.
When I saw that Laura Dern Q&A and she was hyperbolic about the cast, I thought she was exaggerating but not really. There is a saying among actors that there are no small roles but small actors and I always thought that was a consolation, but the cast of Nightmare Alley makes me believe that it is true. I would like to see a spin off of all those characters, especially Dafoe and Colette.
As for Rooney, I must say that it strikes me that being a fan of hers and having seen her filmography and acting techniques many times, I never feel like I see Rooney on screen. She is always someone else, new, in this case Molly. I would have liked her to have more scenes (always) and develop her relationship with Stan more. The book has a more sexual thing that del Toro unfortunately did not take. I think that with small details the idea of a woman trapped in a kind of eternal childhood is developed very well and I think it is a contribution of Rooney and Guillermo because the classic film did not give me that impression. Her scene in her car is heartbreaking and I did feel a good old Tim Burton vibe in that sequence <3
I think it takes a few minutes to notice that del Toro uses production design to symbolize themes that other authors would verbalize through the script. Here each element has meaning and if you are distracted it is easy to accuse the film of being empty (like Peter Travers). It was not my case, because I like films that understand cinema as a strictly visual medium. There is something very beautiful in the group craftsmanship that del Toro directs and this is his best work along with Pan's Labyrinth, in my opinion.
I was surprised for the better that the cinematography was more earthy and not glossy as it appears in the trailer. I think Cate spilled over into her role at some point close to the cartoon. I liked Bradley's work and I appreciate that he didn't overreact or fill the character with faces (Di Caprio would have done it)
I connected with the idea of the film that we all sell illusions in a certain sense (priests, psychologists, magicians, boyfriends...) and I really felt the vulnerability, decadence, simplicity / desperation to seem special of its characters. Del Toro shows them in a bleak and beautiful way. As if behind the farce is the honesty of fractured beings who really know who they are and they only play to be more and better human beings.
I think that time will make the film grow in people's perception.