Vox Lux (2018)

"The thing that’s funny is that my last film and Vox Lux are very much related because they’re both about the culture of worship.

"I think that fan culture and the idea that people – especially because I grew up in a way where I was surrounded by a lot of celebrities. I’ve been acting since I was 12, so I grew up working with a lot of famous actors and actresses just from being in show business and also knowing a lot of musicians. Now I even know a lot of people in the political sphere and they’re all related, and it’s kind of funny because I’m 27 now and having grown up that way – when I look at a magazine stand and it looks like a year book for me – I know that mythology is absurd. The mythology that we project onto public figures that we don’t know anything about is extremely unhealthy and the first person we do that with, is God, or at least that’s how it was for me.






The most painful thing about making a movie that’s open to interpretation, is that it’s open to misinterpretation



"I think that has much more to do with viewers who want to assume something. That has to do with their expectations not to do with what the film is emitting.




"My next film, I wrote it quickly, I knew what I wanted to do immediately and it seems like it’ll be made quite quickly. But there’s something a little bit unnerving about that for me because, ‘Have I had enough time to prepare’. But 10 years is too much and it was too long to be focused on these themes. My next film’s not a walk in the park or anything but at least it’s something new. It’s a film quite specifically about the turn of the 21st century to the present. It’s about the rise of a pop star.


www.eyeforfilm.co.uk/feature/2016-08-19-brady-corbet-on-making-audiences-think-christianity-and-robert-pattinson-and-the-culture-of-celebrity-feature-story-by-amber-wilkinson






"Crawley and Corbet are already collaborating on their next project together: a pop star drama titled Vox Lux, starring Rooney Mara and Jude Law and featuring music from Sia. “We're looking to shoot the majority of the film on 65mm,” says Corbet. “Everywhere where the size of the camera is not going to be prohibitive because there is a lot of movement in the film. We start shooting in early 2017. It's coming together fast and furious. The film spans 15 years. It all takes place in about six different cities. We're still in the process of figuring it out. It's a very, very special project. The songs are amazing.”



“Yes, we are looking to shoot 65mm and will present in 70mm,” adds Crawley. This 15-year odyssey, set between 1999 and the present day, tracks the important cultural evolutions of the 21st Century via her gaze,” he continues, stressing that Kodak is supporting the film both from an equity and marketing standpoint."

motion.kodak.com/US/en/motion/Blog/Blog_Post/?contentId=4295000256